Editor of The Tribune
AUSTIN, Texas - Back when this Blog pulled out of the barn, when I was living in the Rio Grande Valley down south, I used a variety of pseudonyms in bringing readers stories from that same variety of angles, perspectives and character-within-the-character.
I'm sure some of them are still sort of remembered: Junior Bonner, Ricardo Klement, Ron Mexico, etc., etc. Well, I also recall that while some readers liked these guys, there were others who questioned why we had created "fake" writers. In the 9-to-5 world of the working legions, the latter was to be expected. Some people know writing only as what they see in the newspaper, or what they read when the kid brings home the homework.
For me, writing this blog always has been a laboratory of sorts, a place to try things and a place for fleshing-out characters. Bonner was the stiff, high-throated, aging cowboy who loved his battered El Camino and just had to have his shirts starched just right by the dry cleaners he frequented in his hometown of Combes, Texas. Klement was the introverted descendant of a Nazi officer who'd fallen for the lovely women of the Texas-Mexico border and insisted he'd die there. Mexico was the "Keith Richards" of the staff, a man who lived life to the fullest, had to make love like a panther and was, not surprisingly, murdered in Amsterdam after being fired by The Tribune for drinking on the job.
These creations were not exactly pseudonyms; they were characters and nothing more. Still, they delivered the real news in their own way, each of them working-up a style by way of vocabulary and sentence structure. We came to know them in photographs that made for images fitting their writing and life styles.
There's nothing wrong with using a pseudonym in writing. It's been part of both fiction and non-fiction since the advent of the modern printing press. Mark Twain's real name was Samuel Clemens, and there are those who say his invented happy-go-lucky Twain persona was not anything like Clemens, a not as happy man. Who knows? It just worked out nicely for Mark.
I firmly believe that using a pseudonym, as I do with my Patrick Alcatraz novels, unlocks a certain new vein of creativity. Paz-Martinez writes about the Texas-Mexican border as if he's lived that experience, which he has; Alcatraz writes about the American West as if some bon vivant out for nothing but sex and laughs. Are they "romance novels," as has been posed by some? Yes, and no. Romance between a guy and a gal, yes. There is quite a bit of that in my books. Someone famous once said that there is no literature without sex. Well, absolutely. Sex is a huge part of the human existence, both with a loyal mate and, often, with a disloyal one. Plus, pseudonyms, also known as pen names, often take on a life of their own. The highly-regarded Portuguese writer Fernando Pessoa had more than 70 literary identities.
The American horror writer Stephen King has written "literary fiction" under the name of Richard Bachman. Lewis Carroll was really Charles Dodgson. George Orwell was really Eric Blair. The list goes on. My point here is that writing will always define itself on its own terms. And writers will mine the hinterlands for anything that will spark creativity. Where cops have the fear of killing an innocent bystander, writers fear writer's block, that drag-me-down time when nothing spurts from the brain, when looking out the window yields nothing but the high sky.
I was running all of this across my brain yesterday, the second day of a bad summer cold that has me in the coughing and watery eyes dumps. Messing with this laptop did nothing for me. The best I could do was advance my place in the book I am currently reading. In bed. Most of the day. My book, magazines, the day's newspapers. Outside, the big, bright sunball scorched the land one more time.
But I was wondering whether to offer my next book as Paz-Martinez, the guy who writes as if a wandering journalist, or Alcatraz, the bastard who sees beauty in every woman, has them and moves on down the road. It's my alter ego, of course. All of us have them, but not all of us are willing to put them on display.
In writing, they are not "fake names" as much as they are, say, that second car in the driveway...
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